Now, the strobe becomes the main light, and the sun becomes the rim light. Waaay better than on-camera fill flashing. This cross lighting scheme is pretty forgiving with respect to subject movement, too. As long as you are working on the quarter angles (roughly splitting the difference between the two light sources) you are going to be fine.. Light is the sculptor of photography. It defines form, reveals texture, and sets the mood. But have you ever considered the power of cross-lighting? This technique, where light hits your subject from the side rather than head-on, can transform your photos from ordinary to extraordinary, injecting a dose of drama and intrigue.
cross-lighting [10.6.1.10] In television, film and theater lighting: Illumination from two sources on opposite sides of the subject. Often, different color media are used in the luminaires for a given area to give the illusion of shadow while providing sufficient illumination for good visibility. « Back to Definitions Index. Definition and Techniques of Crosslighting Crosslighting is a lighting technique employed in photography and cinematography where two light sources are positioned at approximately 90 degrees to each other relative to the subject. This method is used to create depth, texture, and an enhanced three-dimensional effect in the image. Crosslighting can effectively emphasize the contours and shape of.